Brittany Cavallaro is a poet, fiction writer, and old school Sherlockian. She is the author of the Charlotte Holmes novels from HarperCollins/Katherine Tegen Books, including A STUDY IN CHARLOTTE and THE LAST OF AUGUST (forthcoming in February 2017). She’s also the author of the poetry collection GIRL-KING (University of Akron) and is the recipient of a National Endowment for the Arts fellowship. She earned her BA in literature from Middlebury College and her MFA in poetry from the University of Wisconsin-Madison. Currently, she’s a PhD candidate in English literature at the University of Wisconsin-Milwaukee. She lives in Wisconsin with her husband, cat, and collection of deerstalker caps.
How did you get started writing? Did you always want to be a writer?
I’ve always wanted to be a writer—I was pretty serious about it from a young age. I attended an arts boarding school and then went on to study writing through undergrad and grad school. I used to be a little concerned that I was missing out by not really exploring other paths, but I’ve come to realize that writing is less of a job and more of a practice, a way you collect and organize your thoughts and obsessions.
What advice do you have for young authors trying to get published?
Focus for as long as you can on perfecting your craft. Read everything. Everything. Try to push yourself in new directions—write formally, write in genres you’re less comfortable in, take in different kinds of art. Try to wait until at least your last semester of undergrad before you’re really pushing to get published, so that you can focus until then on honing your work in a supportive environment.
Who or what influences your writing? Do you have literary heroes?
I think I have a lot of answers to this that aren’t necessarily the ‘right’ answer. I have writers whose work I love and admire—Sir Arthur Conan Doyle, obviously, and Daphne du Maurier, John Berryman, A.S. Byatt. But I also read quite a bit of mass market fantasy (Mercedes Lackey, Jacqueline Carey), play a lot of immersive video games whose stories and characters get under my skin (Mass Effect, Bioshock), pull ideas from art history and YouTube and conversations with my husband. I think it’s really important to be honest about what inspires you, to try to be as porous as you can. There’s no reason to restrict yourself to loving things that other people have vetted as ‘important.’
Who are you currently reading that you find exciting?
I’m reading quite a bit of YA right now, which is always fun. I think that Parker Peevyhouse’s Where Futures End is an incredible, George Saunders/David Mitchell-inflected novel, and I really enjoyed Emily Henry’s The Love that Split the World.
Do you have any writing rituals? What does your process look like?
There are definitely things that I like to do or have around me when I’m setting up to write, though I try to be careful not to insist on them. Ultimately, I need to be able to work in a variety of places and situations! But I enjoy writing in my room, on my bed, with a candle burning. I try to light different candles for each project, which helps trigger some kind of sense memory. I also tend to play Dustin O’Halloran’s albums when I’m working—they’re familiar enough now that they serve as a kind of white noise, but they’re also atmospheric. I also do a lot of work in coffee shops, though, in the end, I find that’s better for more administrative tasks (email, email, email).
You’ve recently published your first young adult novel – congratulations! A Study in Charlotte (March 2016, Harpercollins) reimagines the classic tale of Sherlock Holmes and John Watson through the eyes of their young descendants Charlotte and Jamie. Were you a big Doyle fan growing up, or did you discover the fandom later in life?
Definitely a big Doyle fan when I was a kid, though my current obsession with Sherlockiana happened during grad school. I discovered the Granada television adaptation of the stories, and that led me back to the stories themselves. There was so much there. I felt like I could unpack them forever.
What inspired you to retell the story of Sherlock Holmes in a modern context?
Sherlock Holmes, as a character, has been reimagined in so many different ways—adaptations of the Doyle stories are really in vogue right now (though they’ve obviously never not been popular). But even though the story has been recast so many times, I was having a hard time finding an adaptation that was willing to imagine the genius as a woman. Which is crazy to me. When I have trouble finding a particular story, I try my hand at writing it. In the Charlotte Holmes books, I wanted to recast the detective as a troubled, morally ambiguous genius who happened to be a teenage girl, and then imagine how her life would be different because of it.
What do you want young readers to take away from A Study in Charlotte?
More than anything, I want to tell a good story that’s both an homage to Sir Arthur Conan Doyle and a feminist reworking of his stories. If A Study in Charlotte sends readers looking for the original Sherlock Holmes tales, I feel like I’ve done my job!
About the author of this post: Crystal Ice is a junior at North Central College where she studies English Writing, and is currently considering a program in Writing, Editing, & Publishing. A budding author, she enjoys writing in her spare time, and maintains two blogs while working on one of her many novels and poems.